Live a life of ease and freedom, on the basis of peace and solidity, with the principle of being less agitated and affected.
Many masters in the history of Chinese Chan Buddhism emphasized practice as daily living. Whether monastic or lay, a follower uses the concepts and methods of Chan in daily life. By doing so, one experiences calmness and ease while being spontaneous and lively amidst mundane reality. Chan is not a religion, not a philosophy, and surely not mysterious or weird sorcery. It is the wisdom of living, the cultivation of body and mind, and a principle and guideline for spiritual development. It is also the best method for influencing and purifying the environment.--Master Sheng Yen
作者簡介
Master Sheng Yen (1930-2009)
Master Sheng Yen was born in 1930 and became a monk in 1943. He conducted a six-year solitary retreat, after which he went to Japan for further study and obtained a doctorate in Buddhist literature at Rissho University. In 1975, he began sharing the Dharma in the US, and in 1989, founded the Dharma Drum Mountain organization. In 2005, he established the Dharma Drum Lineage of Chan Buddhism, as an effort to reinvent Chinese Buddhism.
He authored more than 100 publications in Chinese, English, and Japanese, and received the Sun Yat-sen Art and Literary Award, the Sun Yat-sen Academic Award, and the Presidential Cultural Award, among other honorary awards.
He proposed the vision of "uplifting the character of humanity and building a pure land on earth," founded the Chung-Hwa Institute of Buddhist Studies, Dharma Drum Institute of Liberal Arts, and Dharma Drum Sangha University. Experienced in Chan using correct approaches, he guided practice in both the West and East. Popularizing the Dharma in modern language, the Master initiated movements including Protecting the Spiritual Environment, Four Kinds of Environmentalism, the Fivefold Spiritual Renaissance Campaign, and the Six Ethics of the Mind. He shared the Dharma globally with a broadminded perspective, winning him worldwide recognition.
The present book collects research papers by Bhikkhu Anālayo with translations of Saṃyukta-āgama discourses and comparative studies of their Pāli parallels, together with two appendices on the relationship between commentary and discourse as well as on the Udāna collection. Topics taken up in the course of the studies are the four noble truths as a diagnostic scheme, concern for the welfare of others, the transfer of merit, humour, Aṅgulimāla, teachings to laity, attitudes towards nuns, arahants and suicide, teaching and awakening, the gender-inclusiveness of the address 'monk', the acrobat simile, mindfulness of breathing, the Buddha's first discourse, self-cremation, and the Buddha's visit to his mother in the Heaven of the Thirty-three.
作者簡介
Bhikkhu Anālayowas born in Germany in 1962 and ordained in Sri Lanka in 1995. He completed a Ph.D. thesis at the University of Peradeniya (Sri Lanka) in 2000 and a habilitation thesis at the University of Marburg (Germany) in 2007. At present he is a professor at the University of Hamburg, Numata Center for Buddhist Studies (Germany), and a researcher at the Dharma Drum Institute of Liberal Arts (Taiwan).
Chan is not necessarily any one thing, nor does Chan affirm or deny anything. However, whatever you need, Chan gives to you.
For regular meditators, this book provides basic sitting meditation techniques. Exceptionally busy people are advised to try and use the Chan cultivation methods in this book to harmonize themselves, and dissolve their attachment to "self." From relaxing the body and mind for as little as three minutes to attending to body and mind throughout daily life, these methods show the simplicity and practicality of expedient Chan methods.--Master Sheng Yen
作者簡介
Master Sheng Yen (1930-2009)
聖嚴法師1930年生於江蘇南通,1943年於狼山出家,後因戰亂投身軍旅,十年後再次披剃出家。曾於高雄美濃閉關六年,隨後留學日本,獲立正大學文學博士學位。1975年應邀赴美弘法。1989年創建法鼓山,並於2005年開創繼起漢傳禪佛教的「中華禪法鼓宗」。
聖嚴法師是一位思想家、作家暨國際知名禪師,曾獲臺灣《天下》雜誌遴選為「四百年來臺灣最具影響力的五十位人士」之一。著作豐富,中、英、日文著作達百餘種,先後獲頒中山文藝獎、中山學術獎、總統文化獎及社會各界的諸多獎項。
聖嚴法師提出「提昇人的品質,建設人間淨土」的理念,主張以大學院、大普化、大關懷三大教育推動全面教育,相繼創辦中華佛學研究所、法鼓佛教學院、僧伽大學、法鼓大學等院校,也以豐富的禪修經驗、正信的佛法觀念和方法指導東、西方人士修行。
法師著重以現代人的語言和觀點普傳佛法,陸續提出「心靈環保」、「四種環保」、「心五四運動」、「心六倫」等社會運動,並積極推展國際弘化工作,參與國際性會談,促進宗教交流,提倡建立全球性倫理,致力世界和平。其寬闊胸襟與國際化視野,深獲海內外肯定。
Master Sheng Yen was born in 1930 and became a monk in 1943. He conducted a six-year solitary retreat, after which he went to Japan for further study and obtained a doctorate in Buddhist literature at Rissho University. In 1975, he began sharing the Dharma in the US, and in 1989, founded the Dharma Drum Lineage of Chan Buddhism.
He authored more than 100 publications in Chinese, English, and Japanese, and received the Sun Yat-sen Art and Literary Award, the Sun Yat-sen Academic Award, and the Presidential Cultural Award, among other honorary awards.
He proposed the vision of “uplifting the character of humanity and building a pure land on earth,” founded the Chung Hwa Institute of Buddhist Studies, Dharma Drum Buddhist College, Dharma Drum Sangha University, and Dharma Drum University. Experienced in Chan using correct approaches, he guided practice in both the West and East. Popularizing the Dharma in modern language, the Master initiated movements including Protecting the Spiritual Environment, Four Kinds of Environmentalism, the Fivefold Spiritual Renaissance Campaign, and the Six Ethics of the Mind. He shared the Dharma globally with a broadminded perspective, winning him worldwide recognition.
This is the second volume of proceedings of the Āgama seminars convened by the Āgama Research Group at the Dharma Drum Institute of Liberal Arts (formerly Dharma Drum Buddhist College). On this occasion, the Āgama Research Group met to discuss the early collections of long discourses transmitted by the different Buddhist schools. Thanks to the discovery and ongoing publication of the incomplete Sanskrit Dīrgha-āgama manu¬script from Gilgit, three different versions of the Collec¬tion of Long Discourses are now avail¬able for comparative study: the Pali Dīgha-nikāya transmitted within the Theravāda tradition, the just-mentioned Dīrgha-āgama in Sanskrit, identified as Sar¬vās¬ti-vāda or Mūlasarvāstivāda, and the Chinese translation of an Indic Dīrgha-āgama (長阿含經), generally considered to be affiliated with the Dhar¬ma¬¬guptakas. The six papers collected here focus on research on these various incarnations of the collections of long discourses in comparative perspective.
作者簡介
About the editor:Sāmaṇerī DhammadinnāDharma Drum Institute of Liberal Arts
About the contributors:Bhikkhu AnālayoNumata Center for Buddhist Studies, University of Hamburg &Dharma Drum Institute of Liberal Arts
Roderick S. BucknellUniversity of Queensland
Toshiichi Endo (遠藤敏一)Centre of Buddhist Studies,The University of Hong KongJens-Uwe HartmannLudwig-Maximilians-Universität of Munich
Jen-jou Hung (洪振洲)Dharma Drum Institute of Liberal Arts
Seishi Karashima (辛嶋靜志)The International Research Institute for Advanced Buddhologyat Soka University
To my knowledge there are no anthologies of Ch’an poetry in Chinese, Japanese or English which describe in detail the method of practice and the experience of Ch’an Furthermore, there are few prose sources in English dealing with the same topics On the other hand, there are numerous books in English that relate the episodes of the kung-ans(koans)The prevailing view that comes from reading these stories is that the practice of Ch’an is methodless, and since there is no way to describe the experience of Ch’an, it is suggested that we just go ahead and practice by studying the kung-ans The purpose of these poems is different in that they specifically show you how to practice, what attitudes to cultivate and what pitfalls to beware of Finally, they attempt to describe the ineffable experience of Ch’an itself These poems flow directly from the minds of the enlightened Ch’an masters; we get a glimpse into their experience at the time of, and after their enlightenment In contrast, in reading a kung-an we get an objective story of what happened and we don’t really know what was in their minds. It is my hope that this collection of poems will give those who are interested in the practice a new way of looking at Ch’an and a more balanced view of the scope of Ch’an literature The present selection is offered to make this tradition available to Western readers who may otherwise not be aware of their existence.
Master Sheng-Yen has devoted much of his life to spreading the teachings of Chinese Buddhism—a practice that antedates the more familiar Japanese and Tibetan traditions—throughout the world. He became known in the United States after he began founding meditation centers here in 1980. Now in his late seventies, he tells the remarkable story of his life and spiritual education in FOOTPRINTS IN THE SNOW. From descriptions of the private world of Buddhist masters to first-hand accounts of Chinese history, it is a rare document that is both an important look at China’s past and a compelling spiritual journey across a lifetime.Sheng-Yen’s story is of a life lived in the last years of the Republic of China, the Sino-Japanese War, and the founding of the People’s Republic of China. An eye-opening slice of modern history as well as an authoritative introduction to an ancient religious tradition, FOOTPRINTS IN THE SNOW will appeal to spiritual seekers, travelers who want to understand more about China, or anyone looking for a fascinating story.
From The Preface By Dan Stevenson EN. SHENG YEH is a master in the Caodong and Linji lineages of Chan〈Zen〉 school, who for twenty five years now has been guiding students from Taiwan, the United States, and Europe in the practice of Chan Buddhism. Hoofprint of the Ox provides a systematic introduction ─ in Sheng yen,s own words ─ to the principles that inform his particular style of Chan training.... In the final analysis, it is an unabashedly normative work ─ a book on Chan practice addressed to an English speaking audience with a personal interest in Buddhism. To the extent that this audience is also primarily Western, Hoofprint is more than passive report of Sheng yen,s personal convictions. It situates those convictions in responsive relation to specific expectations about Chen practice current among Western students, with specific points to be made.
A Guide to the Practice of Chan BuddhismThis is an inspiring guide to the practice of Chan (Chinese Zen) in the words of four great masters of that tradition. It includes teachings from contemporary masters Xuyun and Sheng Yen, and from Jiexian and Boshan of the Ming Dynasty (1368–1644). Though the texts were written over a period of hundreds of years, they are all remarkably lucid and are perfect for beginners as well as more advanced practitioners today. All the main points of spiritual practice are covered: philosophical foundations, methods, approaches to problems and obstacles—all aimed at helping the student attain the way to enlightenment.本書結集了四位禪師的禪修指導,包括明代曹洞宗的博山(無異元來)禪師、臨濟宗的晦山戒顯禪師的禪法,以及近代虛雲法師與聖嚴法師的禪法。內容涵括修行的各個面向,包括哲學基礎、實修方法、問題與障礙的解決,以及如何將修行融入生活中等。書中的資訊無論是對禪修初學者或已經深入修行的人,都能有所助益。
作者簡介
聖嚴法師,一九三○年出生,少年出家,曾於高雄山中閉關六年,並留學日本,獲得立正大學文學博士學位,曾任雜誌編輯、教授、所長以及譯經院院長等,創辦中華佛學研究所、創建法鼓山、僧伽大學、法鼓大學以及社會大學等,在國內設立禪修、文教、慈善等基金會,而分支道場亦遍及於歐、亞、美、澳等各大洲。他是一位教育家、作家,更是一位宗教家和國際知名的禪師,長年在國內外推動「心靈環保」、「種族和諧」及「世界和平」等工作不餘遺力。他所獲得的榮譽獎項中,包括總統文化獎、行政院文化獎、行政院社會領袖和風獎、中山文藝創作獎、中山學術著作獎、斐德烈二世和平獎等十多種。出版著作一百多種,已有十多種語言的譯著。他曾應邀為《中華日報》、《中央日報》、《聯合報》、《中國時報》、《自由時報》等各大報紙,及《天下》、《康健》等雜誌撰寫專欄。
Chan enlightenment is attained through a sudden encounter; or, it may come about spontaneously after serious and sincere investigation and introspection. Chan philosophy represents a clear current that is empty yet responsive, detached and magnanimous, open and broad-minded, bright and luminous. Chan as a way of life is positive and progressive, free and easy, simple and modest, confident and comfortable. Chan as a way of thinking is to let go of selfishness, self-deceit, self-pity, self-arrogance, and self-confinement, and only then can there be complete boundless freedom. Chan methods teach people to first practice knowing the self, affirming the self, and then shattering the self, and thus the enlightened state will appear. —Master Sheng Yen—
作者簡介
Master Sheng Yen 聖嚴法師(1930~2009年)
聖嚴法師1930年生於江蘇南通,1943年於狼山出家,後因戰亂投身軍旅,十年後再次披剃出家。曾於高雄美濃閉關六年,隨後留學日本,獲立正大學文學博士學位。1975年應邀赴美弘法。1989年創建法鼓山,並於2005年開創繼起漢傳禪佛教的「中華禪法鼓宗」。
聖嚴法師是一位思想家、作家暨國際知名禪師,曾獲臺灣《天下》雜誌遴選為「四百年來臺灣最具影響力的五十位人士」之一。著作豐富,中、英、日文著作達百餘種,先後獲頒中山文藝獎、中山學術獎、總統文化獎及社會各界的諸多獎項。
聖嚴法師提出「提昇人的品質,建設人間淨土」的理念,主張以大學院、大普化、大關懷三大教育推動全面教育,相繼創辦中華佛學研究所、法鼓佛教學院、僧伽大學、法鼓大學等院校,也以豐富的禪修經驗、正信的佛法觀念和方法指導東、西方人士修行。
法師著重以現代人的語言和觀點普傳佛法,陸續提出「心靈環保」、「四種環保」、「心五四運動」、「心六倫」等社會運動,並積極推展國際弘化工作,參與國際性會談,促進宗教交流,提倡建立全球性倫理,致力世界和平。其寬闊胸襟與國際化視野,深獲海內外肯定。
Master Sheng Yen was born in 1930 and became a monk in 1943. He conducted a six-year solitary retreat, after which he went to Japan for further study and obtained a doctorate in Buddhist literature at Rissho University. In 1975, he began sharing the Dharma in the US, and in 1989, founded the Dharma Drum Lineage of Chan Buddhism. He authored more than 100 publications in Chinese, English, and Japanese, and received the Sun Yat-sen Art and Literary Award, the Sun Yat-sen Academic Award, and the Presidential Cultural Award, among other honorary awards. He proposed the vision of “uplifting the character of humanity and building a pure land on earth,” founded the Chung Hwa Institute of Buddhist Studies, Dharma Drum Buddhist College, Dharma Drum Sangha University, and Dharma Drum University. Experienced in Chan using correct approaches, he guided practice in both the West and East. Popularizing the Dharma in modern language, the Master initiated movements including Protecting the Spiritual Environment, Four Kinds of Environmentalism, the Fivefold Spiritual Renaissance Campaign, and the Six Ethics of the Mind. He shared the Dharma globally with a broadminded perspective, winning him worldwide recognition.
生命路徑總在不期然之處轉彎,彷彿是為了讓我們看見更廣闊的風景……歷經大環境不斷變遷的聖嚴法師,本著最初的願心,面對人生中的高山深壑,以佛法為地圖,做為指引個人安頓身心之道;進而將他對佛法的踐行領悟,透過義理分明的文字,為現代人描繪出生命智慧的藏寶圖。
本書由聖嚴法師娓娓道來其一生的學習歷程,以及隨順因緣全力投入生命中不同角色的各種轉折,經過文字的闡述及解行並重的生命實踐,使現代人得以親近佛法善知識,領受佛法做為人生指引的妙用。
本書為英文版,為《法鼓全集》英譯計畫中的第一部英文出版品。期待能以此英譯系列向廣大的西方讀者推廣漢傳佛教與禪法。
I am an ordinary Buddhist monk born in 1930 at a village in Jiangsu Province, Nantong County. The second year after my birth, there was a great flooding of the Yangzi River, which washed away our home and everything we owned. We were impoverished. My family then moved to the south bank of the Yangzi River. I was always weak in physique and prone to illness since childhood. I entered school at the age of nine, and left school when I was thirteen. I became a monk when I was thirteen. The basic education I received was equivalent to that of a fourth grade primary school student. While the other teenagers were studying at high school and university, I was busy working as a younmonk and performing ritual services. Later, I served in the military for the country. Nevertheless, since I was young, I realized the importance of knowledge and education. Therefore, during my time in service, I would take hold of any opportunity for self-study, and read many books. After leaving the army and spending six years in solitary retreat, having met the educational requirements along with my published work, I was enrolled in Rissho University in Tokyo. There, within six years time, I completed both a master’s and a doctoral degree in Buddhist Literature. From the time I realized that the sutras are used to provide knowledge and methods to purify society and the human mind, I felt lament. I thought, “The Dharma is so good, yet so few people know about it, and so many people misunderstand it.” Ordinary people treat Buddhadharma as something secular or mystical; at best they treat it as an academic study. Actually, Buddhism is a religion that applies wisdom and compassion to purify the human world. Thus, I vowed to use contemporary ideas and language to introduce to others the true meaning of the Dharma that was forgotten, and to revive the spirit of Shakyamuni Buddha. — From the Author’s Preface
作者簡介:
Master Sheng Yen 聖嚴法師(1930~2009年)
聖嚴法師1930年生於江蘇南通,1943年於狼山出家,後因戰亂投身軍旅,十年後再次披剃出家。曾於高雄美濃閉關六年,隨後留學日本,獲立正大學文學博士學位。1975年應邀赴美弘法。1989年創建法鼓山,並於2005年開創繼起漢傳禪佛教的「中華禪法鼓宗」。
聖嚴法師是一位思想家、作家暨國際知名禪師,曾獲臺灣《天下》雜誌遴選為「四百年來臺灣最具影響力的五十位人士」之一。著作豐富,中、英、日文著作達百餘種,先後獲頒中山文藝獎、中山學術獎、總統文化獎及社會各界的諸多獎項。
聖嚴法師提出「提昇人的品質,建設人間淨土」的理念,主張以大學院、大普化、大關懷三大教育推動全面教育,相繼創辦中華佛學研究所、法鼓佛教學院、僧伽大學、法鼓大學等院校,也以豐富的禪修經驗、正信的佛法觀念和方法指導東、西方人士修行。
法師著重以現代人的語言和觀點普傳佛法,陸續提出「心靈環保」、「四種環保」、「心五四運動」、「心六倫」等社會運動,近年來更致力於國際弘化工作,參與國際性會談,促進宗教交流,提倡建立全球性倫理,致力於世界的和平。其寬闊胸襟與國際化視野,深獲海內外肯定。
In Buddhism, awakening from the long dream of life means realizing your self-nature… Although we may understand that our lives are dreamlike, we still bear responsibility for this sleeping and waking dream We must make our minds simple, peaceful, and tranquil Sincere and rigorous practice lets us calm both body and mind, which in turn allows us, day by day, to reduce our karmic obstructions”
There is no suffering, no cause of suffering, no cessation of suffering, and no path There is no wisdom and no attainmentThe Heart Sutra, just over a page long, distills the teachings of the Buddha to their purest essence Perhaps the best known of all Buddhist sutras, it is recited in Buddhist centers and monasteries around the world Emphasizing a living wisdom directly experienced, the schools of Chan have revered the Heart Sutra for its concise expression of the core realization of the Buddha.There Is No Suffering is Chan Master Sheng Yen’s commentary on the Heart Sutru He speaks on the sutra from the Chan point of view, and presents it as a series of contemplation methods, encouraging readers to experience it directly through meditation and daily life In this way, reading the Heart Sutra becomes more than just an intellectual exercise; it becomes a wisdom inherent within each of us Whether one wants a better understanding of Buddhist concepts or a deepened meditation practice, this commentary on the Heart Sutra can help.
《〈破魔變〉中英對照校注》為敦煌寫卷的重要研究,〈破魔變〉講述佛陀成道時,遭逢魔王擾亂修行的故事。變文是受到佛教影響而興起的一種文學體裁,改寫佛經故事,讓故事更通俗易懂,將佛法的精神與意義深印人心,此種講唱佛經的方式,深深影響了中國文學和戲劇的發展。二○一五年七月至二○一七年三月,中華佛學研究所洪振洲教授與根特大學根特佛學研究中心(Ghent Centre of Buddhist Studies at Ghent University)安東平(Christoph Anderl)教授合作主持「中古佛教寫本資料庫編碼」專案,將部分敦煌佛教寫卷進行整理與數位化;二○一七年再設立「敦煌寫卷〈破魔變〉中英對照本專案」,將〈破魔變〉寫卷再次進行校注與整理,並出版本書。為方便中、西方讀者閱讀,書中附有〈破魔變〉寫卷彩圖,並將寫卷內容楷定成現代通用的正字,同時製作異體字表、通假字表,及提供中、英文的校勘與註解,以利讀者參照研究,能深入理解寫卷,感受變文之美,並體會佛法真義。
作者洪振洲(「中古佛教寫本資料庫編碼」專案主持人)臺灣科技大學資訊管理系博士,法鼓文理學院佛教學系專任副教授兼任圖書資訊館館長。他的研究興趣包含漢譯佛典作譯者分析、數位典藏專案建構、數位人文研究資源開發與數位文字處理議題,目前參與許多由法鼓文理學院執行的數位典藏計畫。詳細資料可參見網址:http://joeyhung.info/安東平Christoph Anderl(「The Database on Medieval Chinese Dunhuang Texts 」project director)Christoph Anderl is a Professor of Chinese Language and Culture at Ghent University. He has an MA in Chinese Studies from Vienna University, and a PhD in Chinese Linguistics from Oslo University.Anderl's research focuses on Medieval Chinese language and literature, with an emphasis on vernacular texts and Dunhuang manuscripts, Medieval Chan Buddhism, and the interplay of text and image in the transmission of Buddhist narratives.For more information on publications and research, please consult the following web pages: http://research.flw.ugent.be/en/christoph.anderl and https://ugent.academia.edu/ChristophAnderlThe work on the manuscripts was generously supported by a fund of the Bijzonder Onderzoeksfonds (BOF), Ghent University
平安末期,源平爭霸之際,平家武將率領大批騎兵自京都長驅直入故都奈良,將國家佛教的信仰中心東大寺與興福寺,泰半夷為廢墟,史稱「南都(奈良)燒討」。朝廷對此血腥破壞大為震駭,下令重建東大寺建築與大佛像,希望藉此穩定國家政體,撫慰亡魂。
1181年8月,重源接受天皇的命令,募款修復東大寺。鑑於他的家庭背景、宗教素養、中國知識,以及擁有的人脈,選擇重源完全合理。接下來二十五年,重源不斷哄騙日本統治者提供他越來越多的權力、金錢及物資,來完成計畫。重源雇用許多大木匠師、藝術家與匠師讓計畫成形,而他變身成為外交家、募款人與承包商。他還遠赴鄉間去搜集原料。然而最重要的是,他以僧人身分主導法會儀軌,賦與這項計畫精神意義,將藝術品轉化為具有神聖力量的法器。天皇為獎勵重源功勞,賜予「大和尚」的尊稱,雕刻了他的肖像以示尊崇。重建工程開啟了一百年劇烈的文化騷動。重源時代創造的佛教藝術,包括雕像、繪畫、法器和建築,呼應了當時的國家精神與社會熱望,充滿驚人的生命力與表現力。
●作者簡介
羅森福 (John M. Rosenfield)出生美國德州,愛荷華大學碩士,哈佛大學藝術史博士(1959)。任教母校藝術史系(1965~1990)專攻印度佛教藝術,博士論文出版為《貴霜王朝藝術》(The Dynastic Arts of the Kushans, 1967)隨即前往京都學習日本美術,研究範圍涵蓋日本各時期佛教藝術,同時也發表關於德川幕府(江戶)時期建築、雕刻與町人美術研究。1988年榮獲日本政府旭日章賞,2001年山片蟠桃賞Yamagata Banto Prize,2012年美國史密森尼學會弗瑞爾獎章(Charles Lang Freer Medal)以表彰他對日本文化的貢獻。
●譯者簡介
顏娟英現任中央研究院史語所研究員(1995.8至今) 美國哈佛大學藝術史博士
台灣大學歷史系藝術史組碩士,堪薩斯大學藝術史碩士,哈佛大學藝術史博士。曾任職國立故宮博物院(1975~1977),加州大學洛杉磯分校(1985.1~7),中央研究院歷史語言研究所(1986迄今),中央大學藝術學研究所(2001~2003借調)。 研究領域主要分為中國與臺灣。中國美術史研究重點在中古時期的佛教藝術史,出版《鏡花水月》(2016);台灣美術史出版《風景心境--臺灣近代美術文獻導讀》(2002),《臺灣近代美術大事年表》(1998)。